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Composition
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Theatrical
– Penitenciar (Penitentiary) (2001)
Commissioned by
Lucian Blaga National Theatre
– Titanic Vals (Titanic Waltz) (1998)
Commissioned by
Lucian Blaga National Theatre
– Revolution (1991)
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Vocal and Choral
– Four Choruses for mixed choir a cappella (1996)
Preview this score
– Three Songs for voice and piano (1986)
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Orchestral
– Point. Line. Spot for string orchestra (2003)
Preview this score
– Module 5 Symphony for five groups of instruments (1992)
– Numele Ierbii (Name of the Herb) for soprano and chamber
orchestra (1988)
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Chamber
Music
Ensembles up to 9 instruments
» Lay Low for flute, violin,
piano and cello (2007)
Composition tool:
IAC
Preview this score
» Goddesses
of the Wind for saxophone and percussion (2006)
Commissioned by
Jörgen Pettersson
Preview this score
– Transylvanian Suite for flauto dolce, flauto traverso,
cello and harpsichord (2003)
Commissioned by
Transylvania Baroque Ensemble
Preview this score
– akSax II for alto saxophone and guitar (1998)
Commissioned by
Magnus Andersson
Preview this score
– akSax for saxophone quartet (1997, 1998, 2006)
Commissioned by
Stockholm Saxophone Quartet
Preview this score
– String Quartet (1995)
– Algorithm for trombone quartet (1994)
– Analog Structures for clarinet, piano and percussion
(1994)
Commissioned by Pro Musica Nova
Ensemble
– Dysthymia for blockflöte, violin, viola da gamba and
harpsichord (1993)
– Adagio astrale for six flutes (1991)
– Diptic for violin and viola (1989)
– Dialogos for flute and viola (1989)
Preview this score
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Solo
lnstrumental
– Chaconne for guitar (1999)
Commissioned by
Rikskonserter
Preview this score
– Réflexions automnaux sur Mozart for harpsichord (1996)
Preview this score
– Turca-n pod Suite for piano (1992)
Preview this score
– Sonata for Piano (1990)
– Metacromie II for viola (1988)
– Metacromie I for cello (1987)
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Acousmatic
and Instrumental with electronics
» Fragile for saxophone,
viola
and electronics (2008)
Composition tool:
IAC
Commissioned by
Daniel Kientzy
Preview this score
» Une minute
cinéma pour l’oreille (2008)
» S.O.U.N.D.
[Sound Objects Uttered Nearly Dreaming] (2008)
» Fractus VI
(2008)
» Relocation
for saxophones and electronics (2007)
Multichannel audio: 7.1/5.1 surround
sound
Composition tool:
IAC
Preview this score
More details
Info: The newts
started to lose their bright colours. This was the first
warning in the habitat. Then it got too hot and dry for
their skin used to the damp darkness. The thermoregulatory
mechanism could not cope with the changes anymore. They
became vulnerable to the greenhouse effect of industrialization.
And this is how the journey of relocation began. (This story
is based on real events, and it is illustrated by music.)
Hide details
» Increat
II (2007)
» Today
is the Day: Take a wild guess (2007)
Multichannel audio: 5.1 surround
sound
Composition tool:
IAC
» Dusk
(2007)
» Fractus IV
(2007)
» Luxury
of Loneliness (2007)
Multichannel audio: 5.1 surround
sound
Composition tool:
IAC
» The
Decipher (2007)
Multichannel audio: 5.1 surround
sound
Composition tool:
IAC
» Today
is the Day. 365 Concise Music Pieces (2007)
Multichannel audio: 5.1 surround
sound
Composition tool:
IAC
Total length: 7 hours and
15 minutes
Registered:
GEMA, April 2007
More details
Info: The project
Today is the Day was designed to take a year to listen to.
Each day you pay attention to one of the 365 brief pieces
and to their unique aphoristic titles.
Hide details
» 80 after Max
for MIDI Keyboard and Interactive Computer (2006)
Composition tool:
IAC
– Music for MIDI Keyboard and Interactive Computer (2005)
Composition tool:
IAC
– Cinq minutes cinéma pour l’oreille (2005)
– Trois études acousmatiques (2004)
– Yak for MIDI Keyboard and Interactive Computer (2004)
Composition tool:
IAC
– Increat (2003)
– Fractus III for percussion and live electronics (2001)
Preview this score
– Fractus II for live electronics (1999)
– Traveler by Tram (1999)
– Fractus I for live electronics (1999)
– Désintégration for flute, traditional whistles and
tape (1994)
– RX-1100 for trumpet and live electronics (1993)
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Research
I like the syntax of the programming
languages, that’s it.
I have spent same time in 2004 learning
how to program with
Max/MSP, and lately with
Jitter. It was rewarding,
and it makes me aware of how computer programming can be: challenging
and intense, a bit addictive.
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Software development
Video Tracking/Real-time Audio
Processing (VT/RAP) (2006) was conceived for mapping the
video tracking data with sound synthesis and audio processing
data, and optimized for live events like dance, theatre and
installation
Preview the Graphic User Interface
Interactive Algorithmic Composition
(IAC) (2004) was created to facilitate new approaches in personal
music composition
Preview the Graphic User Interface
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Publications
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Books
» Muzica si calculator, Editura Muzicala, Romania, 2008.
» MIDI
Scripts, Lucian Badian Editions, Canada, 2008.
Library and Archives Canada
» Music
and Computer, Lucian Badian Editions, Canada, 2008
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Score
» 80 after
Max, UCMR acquisition, Romania, 2007
» Four
Choruses, Lucian Badian Editions, Canada, 2006.
Library and Archives Canada
– Point. Line. Spot, UCMR acquisition, Romania, 2003
– Fractus III, UCMR acquisition, Romania, 2001
– Chaconne, UCMR acquisition, Romania, 1999
– akSax, UCMR acquisition, Romania, 1997
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CD and
DVD
– Transylvanian Suite, SAR, Romania, 2005
Purchase
Transylvanian Suite on DVD
– Penitentiary, CMP, Romania, 2001
– Romanian Carols and Christmas songs, CMP, Romania,
2000
– Two Carols, Amori, Switzerland, 1996
– Désintegration, Hungaroton Classic, Hungary, 1994
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Production
Since 2000, when I have founded
CMP/Computer Music Production™, I had excellent opportunities
to collaborate with performers, ensembles, and composers
who are significant to me.
Between 2000–2004, CMP was an
independent company based in Cluj, committed to produce
serious music by using high-end computer systems, which
has demonstrated a solid solution to suit the local market
for recording and mastering.
In 2005 I regularly recorded public
concerts at the
University of Montreal.
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Recording
UdeM work
– Prof. Catherine Sévigny’s class: Récital de chant (2005)
– Prof. Rosemarie Landry’s class: Récital de chant (2005)
– Prof. Mark Pedrotti’s class: Récital de chant (2005)
– Prof. Yolande Parent’s class: Récital de chant (2005)
– Prof. Paul Stewart’s class: Récital de piano (2005)
– Prof. Eleonora Turovsky’s class: Récital de violon (2005)
– Prof. Dang Thai Son’s class: Récital de piano (2005)
– Prof. Anne Robert’s class: Récital de violon (2005)
– Prof. Denis Bluteau’s class: Récital de flûte traversière
(2005)
– Prof. Marc Durand’s class: Récital de piano (2005)
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Sound reinforcement
UdeM work
–
International Vocal Arts Institute: Mr.
John Norris’ Master class (2005)
– Prof. Julien Grégoire’s class: Lieux de temps - Atelier de
percussion (2005)
–
Dame Gwyneth Jones’ Master class (2005)
– Mr.
Carlo Bergonzi’s Master class (2005)
– Prof.
Ron di Lauro’ class: Récital de trompette
Jazz (2005)
– Prof. Mark Pedrotti, Prof. Paul
Stewart, Prof. Rosemarie Landry, Mr. Kelly Rice from
CBC Radio Two: Série Les profs (2005)
–
OICM’s Conference on Interdisciplinary
Musicology, Prof. Lorraine Vaillancourt,
Prof. Philippe Lalitte: Concert
of
Nouvel Ensemble Moderne (2005)
– Mr. Robin Wheeler, Prof. Jean-François
Rivest, Mr. Benoît Brière, Opera Studio and
Orchestra of the University of
Montreal: Les noces de Figaro (2005)
– Prof. Jean-Eudes Vaillancourt’s
class: C’est champagne pour les chambristes (2005)
– Prof. Ron di Lauro, Mr.
Gregory Charles, Big Band of the University
of Montreal: Ce soir,
on Jazze (2005)
– Prof. Robert Leroux, Prof. Julien
Grégoire, Percussion Ensemble of the University of
Montreal: L’Atelier de percussion
(2005)
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Recording
CMP Professional clientele
– Prof. Ioan Goilă, Prof. Adina Mureşan:
Chamber Music (2004)
–
BT Asigurări Transilvania,
Transylvania Baroque Ensemble: Transylvania
Baroque
Ensemble on Authentic Instruments
(2002)
–
Jancy Körössy &
Nicolas Simion Duo: Live in Transylvania
(2002)
–
Sigismund Toduţă Foundation (2002)
– Prof. Ioan Goilă: Contemporary Music
(2002)
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Mastering
CMP Professional clientele
–
University of Oradea, Prof. Valentin
Timaru: Analyses and Musical Forms (2004)
– Trio Andrei: Guitar Recital (2003)
–
French Cultural Center, Mr. David Tuil:
Madame (2001)
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French Cultural Center, Prof. Cornel
Ţăranu, Mr. Olivier Apert: Oreste & Oedipe (2000)
– Prof. Moritz-Vordonis Csilla: Piano
Works (2000)
– Prof. Moritz-Vordonis Csilla, Mme.
Mihaela Zăiceanu: Spring Water (2000)
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Editing
CMP Professional clientele
–
Gheorghe Dima Music Academy: The Gheorghe
Dima Music Academy (2003)
–
Lucian Blaga National Theatre, Prof.
Adrian Pop: Hamlet (2002)
– Prof. Valentin Timaru: Liturghia
solemnă (2002)
– Prof.
Dora Cojocaru (2002)
–
Lucian Blaga National Theatre: Penitentiary
(2001)
– Primavera Operetten-Show: Music
Arrangements (2001)
– Angeli Choir: Seara de Crăciun (2000)
– Romanian Low Brass Ensemble: Romanian
Carols and Christmas songs (2000)
–
European Drinks
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Restoration
CMP Professional clientele
– Prof. Hans Peter Türk
– Prof. Nicolae Coman
– Mozart Romanian Society
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Audio for Video
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Advertise
Created to offer a new and unified
corporate image for
TVR Cluj, the Broadcast ID served
as the primary musical identification for the entire program.
Other segments -- Newscast, Headlines, Weather
Forecast, Summary, Flashes, Essays,
Promo, and Publicity -- used the central audio
information, combined with additional themes. The brand spells
life, and it reaches millions of people. The music was on air
between 2004 and 2008.
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