Production
Since 2000, when I have founded
CMP/Computer Music Production™, I had excellent opportunities
to collaborate with performers, ensembles, and composers
who are significant to me.
Between 2000–2004, CMP was an
independent company based in Cluj, committed to produce
serious music by using high-end computer systems, which
has demonstrated a solid solution to suit the local market
for recording and mastering.
In 2005 I regularly recorded public
concerts at the
University of Montreal.
| Composition |
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| Theatrical – Penitenciar (Penitentiary) (2001) Commissioned by Lucian Blaga National Theatre – Titanic Vals (Titanic Waltz) (1998) Commissioned by Lucian Blaga National Theatre – Revolution (1991) |
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Vocal and Choral – Four Choruses for mixed choir a cappella (1996) 
Preview this score– Three Songs for voice and piano (1986) |
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| Orchestral » Suspicion for chamber orchestra (2010) – Point. Line. Spot for string orchestra (2003) 
Preview this score– Module 5 Symphony for five groups of instruments (1992) – Numele Ierbii (Name of the Herb) for soprano and chamber orchestra (1988) |
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| Chamber
Music Ensembles up to 9 instruments – Lay Low for flute, violin, piano and cello (2007) Composition tool: IAC 
Preview this score– Goddesses of the Wind for saxophone and percussion (2006) Commissioned by Jörgen Pettersson 
Preview this score– Transylvanian Suite for flauto dolce, flauto traverso, cello and harpsichord (2003) Commissioned by Transylvania Baroque Ensemble 
Preview this score– akSax II for alto saxophone and guitar (1998) Commissioned by Magnus Andersson 
Preview this score– akSax for saxophone quartet (1997, 1998, 2006) Commissioned by Stockholm Saxophone Quartet 
Preview this score– String Quartet (1995) – Algorithm for trombone quartet (1994) – Analog Structures for clarinet, piano and percussion (1994) Commissioned by Pro Musica Nova Ensemble – Dysthymia for blockflöte, violin, viola da gamba and harpsichord (1993) – Adagio astrale for six flutes (1991) – Diptic for violin and viola (1989) – Dialogos for flute and viola (1989) 
Preview this score |
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| Solo
lnstrumental » Freeze This Moment for piano (2009) Composition tool: IAC – Chaconne for guitar (1999) Commissioned by Rikskonserter 
Preview this score– Réflexions automnaux sur Mozart for harpsichord (1996) 
Preview this score– Turca-n pod Suite for piano (1992) 
Preview this score– Sonata for Piano (1990) – Metacromie II for viola (1988) – Metacromie I for cello (1987) |
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| Acousmatic
and Instrumental with electronics
» Fractus VIII Music for therapy (2012) » Akedia for Oboe, nanoKontroler and iFPH (2011) Performance tool: iFPH » If for Oboe and Interactive Computer (2011) Performance tool: iFPH 
Listen to this music now» 7 [seven] for MIDI Keyboard and Interactive Computer (2010) Performance tool: Score Follower » Fragile for saxophone, viola and electronics (2008) Composition tool: IAC Commissioned by Daniel Kientzy 
Preview this score» Une minute cinéma pour l’oreille (2008)
Listen to this music now» S.O.U.N.D. [Sound Objects Uttered Nearly Dreaming] (2008) » Fractus VI (2008) – Relocation for saxophones and electronics (2007) Multichannel audio: 7.1/5.1 surround sound Composition tool: IAC
Preview this scoreMore details – Increat II (2007) – Today is the Day: Take a wild guess (2007) Multichannel audio: 5.1 surround sound Composition tool: IAC – Dusk (2007)
Listen to this music now– Fractus IV (2007) – Luxury of Loneliness (2007) Multichannel audio: 5.1 surround sound Composition tool: IAC – The Decipher (2007) Multichannel audio: 5.1 surround sound Composition tool: IAC – Today is the Day. 365 Concise Music Pieces (2007) Multichannel audio: 5.1 surround sound Composition tool: IAC Total length: 7 hours and 15 minutes Registered: GEMA, April 2007 More details – 80 after Max for MIDI Keyboard and Interactive Computer (2006) Composition tool: IAC – Music for MIDI Keyboard and Interactive Computer (2005) Composition tool: IAC – Cinq minutes cinéma pour l’oreille (2005) – Trois études acousmatiques (2004) – Yak for MIDI Keyboard and Interactive Computer (2004) Composition tool: IAC – Increat (2003) – Fractus III for percussion and live electronics (2001) 
Preview this score– Fractus II for live electronics (1999) – Traveler by Tram (1999) – Fractus I for live electronics (1999) – Désintégration for flute, traditional whistles and tape (1994) – RX-1100 for trumpet and live electronics (1993) |
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| Research I like the syntax of the programming languages, that’s it. I have spent some time in 2004 learning how to program with Max/MSP, and lately with Jitter. It was rewarding, and it makes me aware of how computer programming can be: challenging and intense, a bit addictive. |
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| Software development Interactive Freezer Player Harmonizer (iFPH) (2011) made with the aim of interactive performance 
Preview the Graphic User InterfaceScore Follower (2010) was produced in order to use the computer as a musical instrument 
Preview the Graphic User InterfaceWin OS Download You might need of: Runtime (Extras) version of Max Score Follower 7 sheet music Score Follower has been downloaded times. Chopine Interactive (2010) made with the purpose of interactively performing Prelude Op 28 No 7 by Fr. Chopin
See it now how it worksVideo Tracking/Real-time Audio Processing (VT/RAP) (2006) was conceived for mapping the video tracking data with sound synthesis and audio processing data, and optimized for live events like dance, theatre and installation
Preview the Graphic User InterfaceInteractive Algorithmic Composition (IAC) (2004) was created to facilitate new approaches in personal music composition 
Preview the Graphic User Interface |
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| Publications |
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| Books,
Studies » Chopin Interactive, To be published, Romania, 2011 » Self-similarity in Pitch Organisation, Studia, Romania, 2011 » Prolegomena to Interactive Music Systems, Studia, Romania, 2010 » IAC: An Interactive Music System, Studia, Romania, 2009 » Muzica si calculator, Editura Muzicala, Romania, 2008 » MIDI Scripts, Lucian Badian Editions, Canada, 2008. Library and Archives Canada » Music and Computer, Lucian Badian Editions, Canada, 2008 |
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| Score » Fragile, UCMR acquisition, Romania, 2010 – 80 after Max, UCMR acquisition, Romania, 2007 – Four Choruses, Lucian Badian Editions, Canada, 2006. Library and Archives Canada – Point. Line. Spot, UCMR acquisition, Romania, 2003 – Fractus III, UCMR acquisition, Romania, 2001 – Chaconne, UCMR acquisition, Romania, 1999 – akSax, UCMR acquisition, Romania, 1997 |
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| CD and
DVD » Fragile, Nova Musica, France, 2008 » Transylvanian Suite, Romania, 2008 Purchase Transylvanian Suite on CD – Transylvanian Suite, SAR, Romania, 2005 Purchase Transylvanian Suite on DVD – Penitentiary, CMP, Romania, 2001 – Romanian Carols and Christmas songs, CMP, Romania, 2000 – Two Carols, Amori, Switzerland, 1996 – Désintegration, Hungaroton Classic, Hungary, 1994 |
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| Teaching I am a PhD and UK QTS holder. I have +19 years' experience in teaching undergraduate and graduate courses. My favorite courses are Ear Training, Harmony, Counterpoint, Musical Analysis, Composition, and Max Programming. Schools that teach Max – Europe |
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| Recording UdeM work – Prof. Catherine Sévigny’s class: Récital de chant (2005) – Prof. Rosemarie Landry’s class: Récital de chant (2005) – Prof. Mark Pedrotti’s class: Récital de chant (2005) – Prof. Yolande Parent’s class: Récital de chant (2005) – Prof. Paul Stewart’s class: Récital de piano (2005) – Prof. Eleonora Turovsky’s class: Récital de violon (2005) – Prof. Dang Thai Son’s class: Récital de piano (2005) – Prof. Anne Robert’s class: Récital de violon (2005) – Prof. Denis Bluteau’s class: Récital de flûte traversière (2005) – Prof. Marc Durand’s class: Récital de piano (2005) |
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| Sound reinforcement UdeM work – International Vocal Arts Institute: Mr. John Norris’ Master class (2005) – Prof. Julien Grégoire’s class: Lieux de temps - Atelier de percussion (2005) – Dame Gwyneth Jones’ Master class (2005) – Mr. Carlo Bergonzi’s Master class (2005) – Prof. Ron di Lauro’ class: Récital de trompette Jazz (2005) – Prof. Mark Pedrotti, Prof. Paul Stewart, Prof. Rosemarie Landry, Mr. Kelly Rice from CBC Radio Two: Série Les profs (2005) – OICM’s Conference on Interdisciplinary Musicology, Prof. Lorraine Vaillancourt, Prof. Philippe Lalitte: Concert of Nouvel Ensemble Moderne (2005) – Mr. Robin Wheeler, Prof. Jean-François Rivest, Mr. Benoît Brière, Opera Studio and Orchestra of the University of Montreal: Les noces de Figaro (2005) – Prof. Jean-Eudes Vaillancourt’s class: C’est champagne pour les chambristes (2005) – Prof. Ron di Lauro, Mr. Gregory Charles, Big Band of the University of Montreal: Ce soir, on Jazze (2005) – Prof. Robert Leroux, Prof. Julien Grégoire, Percussion Ensemble of the University of Montreal: L’Atelier de percussion (2005) |
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| Recording CMP Professional clientele – Prof. Ioan Goilă, Prof. Adina Mureşan: Chamber Music (2004) – BT Asigurări Transilvania, Transylvania Baroque Ensemble: Transylvania Baroque Ensemble on Authentic Instruments (2002) – Jancy Körössy & Nicolas Simion Duo: Live in Transylvania (2002) – Sigismund Toduţă Foundation (2002) – Prof. Ioan Goilă: Contemporary Music (2002) |
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| Mastering CMP Professional clientele – University of Oradea, Prof. Valentin Timaru: Analyses and Musical Forms (2004) – Trio Andrei: Guitar Recital (2003) – French Cultural Center, Mr. David Tuil: Madame (2001) – French Cultural Center, Prof. Cornel Ţăranu, Mr. Olivier Apert: Oreste & Oedipe (2000) – Prof. Moritz-Vordonis Csilla: Piano Works (2000) – Prof. Moritz-Vordonis Csilla, Mme. Mihaela Zăiceanu: Spring Water (2000) |
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| Editing CMP Professional clientele – Gheorghe Dima Music Academy: The Gheorghe Dima Music Academy (2003) – Lucian Blaga National Theatre, Prof. Adrian Pop: Hamlet (2002) – Prof. Valentin Timaru: Liturghia solemnă (2002) – Prof. Dora Cojocaru (2002) – Lucian Blaga National Theatre: Penitentiary (2001) – Primavera Operetten-Show: Music Arrangements (2001) – Angeli Choir: Seara de Crăciun (2000) – Romanian Low Brass Ensemble: Romanian Carols and Christmas songs (2000) – European Drinks |
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| Restoration CMP Professional clientele – Prof. Hans Peter Türk – Prof. Nicolae Coman – Mozart Romanian Society |
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| Audio for Video |
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| Advertise Composed for Science and Knowledge, a TVR Cluj Show, the segments -- Emisiune, Rubrica, Flash, and Under Voice -- are joined together by a main motif, which calls up emotions of wonder, excitement, mystery, dreaming, and bittersweet passage of time. The music in on air from 2011. Created to offer a new and unified corporate image for TVR Cluj, the Broadcast ID served as the primary musical identification for the entire program. Other segments -- Newscast, Headlines, Weather Forecast, Summary, Flashes, Essays, Promo, and Publicity -- used the central audio information, combined with additional themes. The brand spells life, and it reaches millions of people. The music was on air between 2004 and 2011. |
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